Sister Switchblade
An ex-nun walks out of the convent, into a Detroit chop shop, and cuts a path back to the chapter president who left her for dead. Shot on Super 16, scored with fuzz guitar.
Thriller: A Cruel Picture
A mute Swedish woman drugged into prostitution trains in marksmanship, martial arts and stunt driving to hunt her captors one by one.
Beta preview — catalog titles shown are illustrative of the product experience; not all films will appear on the final service.
Tonight's reel from the booth — what we'd queue up first if you only stayed for one feature.
Pam Grier, a sawed-off shotgun, and every pusher in town with a target on his back. This is the picture that defines the grindhouse: funk score, razor blades in the afro, and a third-reel reckoning that earned every cent of its 42nd Street ticket. Pure midnight-movie heat.
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Planet Grindhouse is part streaming service, part marketplace — restoring classic grindhouse cinema and bankrolling the next wave of exploitation, blaxploitation, biker, kung fu, slasher and giallo alongside the fans who love them.
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"Every studio told me a 16mm nun-with-a-switchblade revenge picture was unreleasable. Planet Grindhouse was the only place that said, 'shoot it dirtier, cut it meaner, and leave the blood in.'"
Original Planet Grindhouse productions and restorations in development and post. Backers get first look, on-screen credits, and revenue share from every showing.
An ex-nun walks out of the convent, into a Detroit chop shop, and cuts a path back to the chapter president who left her for dead. Shot on Super 16, scored with fuzz guitar.
1977. A diner waitress on a desert highway is the only one who walked out of the motel. A neon-soaked revenge picture shot on 35mm Ektachrome.
A Shaolin orphan in 1978 San Francisco takes a job as a meat-packer to get close to the Tong boss who killed his master. A dubbed, blood-splattered love letter to Shaw Brothers.
Practical effects unit shot the canyon attack tonight — a 14-foot puppet rig, four operators, no CGI. Dust, hydraulic oil, and one very startled wrangler. The dailies look like 1957 in the best possible way.
Final cut delivered to scoring. We've handed it to a four-piece theremin-and-Hammond ensemble for the score — the whole second act is going to sound like 1957 staring up at the night sky.
Sound team rebuilt the original optical track from a single surviving studio reel. Bacharach's theme has never sounded this clean coming out of a speaker pole.
Locked the 102-minute cut for the Saturn Awards screener. Submitting next month to Fantastic Fest, Sitges, and a midnight slot at the Grindhouse Academy Awards.
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